The two great epic works of the Hindus are Ramayan and
Mahabharat. In modern terms the Mahabharat may be said to be realistic and the
Ramayan idealistic, in their respective handling of human characters.
Sita in Ramayan is all that a woman could or should be. And is impressive by
her sweetness and devotion. Draupadi in Mahabharat, on the other hand maybe any
of the high spirited modern women with her anger and brooding for revenge and
for that reason more human.
There is greater realistic truth in the full blooded characters of
Mahabharat, higher passion, nobler resolve, fierce jealousy and more biting
scorn and greater grandeur in many of it's scenes. Yet it is greater spiritual
beauty, greater softness and tenderness of emotions in Ramayan. The subject of
Mahabharat is men and war, while the subject of Ramayan is women and home.
These epics are regarded as the Vedas of the masses. People in sorrow, in joy
and in daily toil turn to these epics for solace and inspiration. In Indian
context norms of Epic are set by Ramayan and Mahabharat.
Many more topics were treated in great length by number of line verses or
chapters but none equals these two. Interestingly, these two epics have provided
canvas or theme for many forms of art, like paintings, sculpture, poems, plays
and stories. This epic is written by Krishnadvaipayan Vyas. It was claimed that
whatever that can exist in human life is all dealt with by Vyas in Mahabharat
and conversely. Whatever that does not exist in Mahabharat can not exist in the
world.
It is a story of a dynasty of Kuru that is Kaurav. Later on lineage assigned
to Pandu that is dynasty of Pandava.And finally war between the two related
families,which involved many small kingdoms throughout the nation.The final
version of the epic was formed in the fourth century A.D.There are many Parvas
having lacks of Shlokas. The most authentic version of Mahabharat was prepared
in 20th century by many researchers under the guidance of Mr. Vaidya in
Bhandarkar Oriental Research Institute.
The story of Mahabharat has many substories, many plots and subplots hence by
spread it is very wide. The epic has also inspired many artists like that by
Ramayan. Many plays such as Abhidnyan Shakuntala, by Kallidasa, plays by Bhasa
such as Venisamhara, Urubhanga etc. are based on the themes or plots from
Mahabharat.The story is believed to have taken place around 1500 years BC.
Interestingly it was mentioned as history while the Ramayan was mentioned as
a part of Purana. It was originally written as 'Jay'. It was later on revised as
'Bharata' and it was further expanded as 'Mahabharat'. It consists of story of
Dushyant a king and Shakuntala a daughter of heavenly dancer Menaka. Her son was
named as Bharat. He later on ascended the throne of Dushyant.
The name of the nation designated by foreigners as India bears his name to
the subcontinent as Bharat. Hence the name of the nation is Bharat alias India.
If Ramayan is symbolised as ideality and for setting up the norms and standards
of ideality, Mahabharat can be considered as depiction of reality.
Ramayan has taught what it should be, whereas Mahabharat has bravely depicted
what it generally is. It is story of lust, and renunciation, pious as well as
crooks. It speaks of fearless warriors and cowardly behavior of some of them. Of
obedience as well as rebels.
Though it is mainly a story of dynasties a character coming as a shepherd
brought up as foster son of a chief in a village Mathura is raised to the height
of God in the Indian minds. He is the one who is responsible for the final war
between the two kingdoms to assert for righteous claim and only he is credited
with the out come of the war, the victory of Pandavs.
Mahabharat as a pool of information mirrors society at that time, customs
rites and rituals, value system and ethics of the time. It also speaks of
political variation in the form of local democratic government to rural form of
governance to kings and kingdom. It also reflects racial as well as cultural
struggles amongst the different people of India. It has forged the Indian
identity as unity in variety of races, languages, religious beliefs etc.